Little Stories | Gillian Nix
Storytelling lies at the heart of Gillian Nix (Pigeon Gillian)’s practice, often from a female perspective, expressed through symbolic patterns and imagery. The prints in this exhibition are primarily a collection of work created throughout 2024.
This year, Nix sought to branch out into new ideas and explore different ways of mark-making during the initial drawing stages. She experimented with ink drawings, paper cuts, and a variety of expressive drawing techniques. She finds joy in the process of carving lino—the rhythm and lyricism of the cutting tools creating textural marks that feel almost alive, buzzing with energy. This collection represents a joyful leap into fresh creative territory, embracing a less literal and more intuitive approach.
The 'squiggle' artworks originated from spontaneous ink drawings made with thick brushes and 'bingo' dabber pens. These playful, energetic lines emerged from a place of raw emotion and frustration. For Nix, creating them was cathartic—a physical release onto paper. Looking back at the finished pieces, she sees joy and movement, even though they stemmed from emotional intensity. Friends and family have shared diverse interpretations of these works—from knitting patterns to fabric textures, even intestines or snakes. She values these varied perspectives and has deliberately kept the titles open-ended, inviting viewers to form their own connections and meanings.
The artwork titled No was inspired by a story the artist read about male high school students ranking their female peers and assigning degrading labels. The objectification and judgment of female bodies by the male gaze are issues that have persisted throughout history. It is horrifying that such behavior continues, even among teenagers. The word No encapsulates a powerful message: "No, thank you," "No, not allowed," "No, not for your benefit." It declares, "My body is mine, and your opinion is not required."
A small series of four works emerged from paper cuts—simple black paper shapes combined with expressive, angular forms. The artist enjoyed the contrast between the solid black shapes and the textured marks. These pieces inspired the exhibition's title, Little Stories, as they represent small symbols that invite viewers to weave their own narratives.
When unsure of her next project, the artist often doodles small faces. Some of these have evolved into prints, and she has also experimented with transferring them onto ceramics, creating small magnets.
In late 2024, the artist's aunt Margaret passed away. Margaret, a significant figure in her childhood, left a lasting impression, and her passing stirred many cherished memories. As a quiet tribute to her aunt, who loved owls, the artist found herself drawing small owls.
Balancing her art practice with other commitments is always a challenge. Alongside her creative work, she is a part-time primary art teacher and a mother to two primary-aged children. Despite the constant juggling, her art practice remains essential—a creative outlet, a form of meditation, and a sanctuary.
Lino printmaking has been a cornerstone of her artistic journey for several years. She delights in the process of drawing, carving, and creating editions. The marks left by the tools fascinate her, and she enjoys the strong connection between drawing and printmaking.
